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Monthly Archives: December 2017
‘Once You Start Listening You Can’t Stop Hearing It’
[Piece for The Wire’s issue 352 on ‘Words and Music’, June 2013]. Nina Power Once you start listening you can’t stop hearing it. The voice – female, or female-sounding at least, pre-recorded ‘real’ voices or mechanised tones, or, often, a weird cut-up mixture of both, dominates the sonic landscape. From the supermarket checkout machines withContinue reading “‘Once You Start Listening You Can’t Stop Hearing It’”
Soft Coercion, the City and the Recorded Female Voice
[A version of this text was published in The Acoustic City, edited by Matthew Gandy and BJ Nilsen, JOVIS Publishers, 2014) Four questions to begin with: What is the pitch of the neoliberal city? How does the pitch of the city construct images of and for the humanity that travels through it? How does gender relate to controlContinue reading “Soft Coercion, the City and the Recorded Female Voice”